Our next session will be on Wednesday 17.04.2013, 2:30pm, room A303 (College Building), inviting you and all others interested to the discussion of the following paper:
A. Marsden, “Schenkerian analysis by computer: a proof of concept,” Journal of New Music Research, Vol. 39, No. 3, pp. 269-289, 2010.
A system for automatically deriving a Schenkerian reduction of an extract of tonal music is described. Schenkerian theory is formalized in a quasi-grammatical manner, expressing a reduction as a binary-tree structure. Computer software which operates in the manner of a chart parser using this grammar has been implemented,capable of deriving a matrix of reduction possibilities, in polynomial time, from a representation of the score. A full reduction of the extract can be discovered by selecting a tree from this matrix. The number of possible valid reductions for even short extracts is found to be extremely large, so criteria are required to distinguish good reductions from bad ones. To find such criteria,themes from five Mozart piano sonatas are analysed and samples of ‘good’ reductions (defined by reference to preexisting analyses of these themes) are compared with randomly sampled reductions. Nine criteria are thereby derived, which can be applied in the process of parsing and selecting a reduction. The results are promising, but the process is still too computationally expensive-only extracts of a few bars in length can be reduced—and more extensive testing is required before the system can be properly claimed to perform automatic Schenkerian analysis.